Thursday, May 29, 2008

ARCH1201 Project 3: WEEK 11& 12

WEEK 11

Rough sketches:
These sketches are the signs of initial ideas, done through sections as a way of organising the spaces and at the same time, trying to fulfill the dealer's requirements.

Since most of the buildings (including the two buildings on my selected site) along this street are about 3 storeys high, I want the building that I'm designing to be about the same height too so that it will not obstruct the height of other buildings. But the overall height for my design is much taller, so I made it a 3 storey building with the lowest level dug deep into the ground to become the basement.




<-- Street-----------------------Garden -->

Note: for the gallery in the basement, a small recess is dug in the ground (at the rear of the building, the part facing a small garden) to allow natural light to be filtered into it.

Floor Plans & section

<-- Street-----------------------------------Garden -->


<-- Street-----------------------------------Garden -->

Sketch Models
- arching glass panel at the front and also a curved roof
- transition from a small, compressed space from the entrance to an opened, uncovered space
- then through a small, narrow stairs & back into a vast gallery space at the basement
- public and private roof courtyards are connected






front view


rear view





A series of images showing the passage of time and the shadows it creates:






WEEK 12

By Week 12, most of the shapes & organisations of my design are done, but refinements are still required. A grided system is used to better organise and develop the spaces: 5 boxes of equal size (5.3 x 6) is drawn and are subsequently divided into halves, one thirds or half of the 1/6 to place the rooms, galleries & also stairs.


<--garden--------------Street-->

Sketch Model (2nd stage)
- the volumes of the spaces are maintained with only slight changes in their functions
- all circulation routes are placed at one side
- the eaves of the roof are extended, namely those for the large gallery and the kitchen
- the dealer's private courtyard has been disconnected with the public roof-courtyard

Exterior facades

Front


Side


Rear




Interiors




Shadows through time:







The images above are taken using one of the roof designed with 4 small-squared roof lights forming a bigger square in the middle. But the triangular-like entrance to the public rooftop doesn't seem to fit in. So a few attempts were made to change it.



Experiments of lighting effects are based on these two.


Option 1 (left) & Option 2 (right)

Option 1


Option 2




But the only once which seems to make the space looks brighter (and not jail-like) is the one on the right, so option 2 is the one that I've used in my final model.

Circulation and linkage within the building:



Uncompleted site plan in the form of a figure ground drawing:




Site model







ARCH1201 Project 3

Site: 228, King Street, Newtown, Sydney

Images from Google Maps & Google Earth:

Red marks the spot!



Site Analysis

King Street of Newtown is one of the busiest street around this area and according to the city of Sydney webite, it was 'the first suburban shopping centre outside the city centre'. This thoroughfare is still a shoppers’ paradise today. Hundreds of stores, cafes and restaurants lined along this street, giving it a happy & lively mood with a tinge of Bohemian ambiance. It is a diverse place where people of different ethnic, background & religion can meet, exchange ideas and do activities.



Buildings along the way are mostly of Victorian or Federation styles. And the building that I've chosen is a fairly modern one, about 6 meters wide (a very narrow site indeed), sandwiched in between two Victorian style buildings as shown below. It catches my eyes from the moment I first look at it.



Buildings on both sides:


Other reasons for me to choose this site:

i) Beautiful sun set scene facing the street (viewed from the perspective of my selected building)


ii) little garden at the back of my ideal site



Selected artists & their artworks

Anselm Kiefer (Germany; France, b.1945)


Glaube, Hoffnung, Liebe
1984-1986
280.0 x 380.0 x 75.0cm overall
358.1987.a-b



Cal Lane (Canada; Halifax, Nova Scotia, b.1968)


Detail of tracery


Hood & door, 2006
plasma cut steel car parts


Wheel Barrel, 2006
6 cubit feet
plasma cut steel wheel barrel

These images are from Cal Lane's website:
http://www.callane.com/page9.html



Ideas & inspirations from the artworks by:

Anselm Keifer:

  • texture, sense of touch --> materiality, brutalism
  • sudden projection of things out of a (fairly) smooth surface

Cal Lane:

  • turn junk into ‘gold’, i.e. she has managed to create delicate tracery out of unwanted metal/tin cans. It's simply fantastic!! --> perforated screen --> diffused light